In 2009, the project Deconstruction of the Myth was selected by Résidence d’Artistes Centre d’Arts Camac Arts Centre to be held in Marnay-sur-Seine – France, with a grant from the Ténot Foundation. The project idea emerged during the course of graduation in Fine Arts and took shape during the course of post-graduate in history of Visual Arts. The paper produced by Vitoria “Identity and Differences between the Greeks and Contemporary Aesthetic Models” aimed to reflect on the ancient Greek culture and its influence on contemporary Western society. The project is based on theoretical bases acquired in the various courses of artistic training and experience as a professional artist and set designer, and a careful observation of reality in which we live, that is, the contemporary Western society.
Caramba Vitória, fiquei todo arrepiado com essas imagens, tudo deslumbrante. Adorei de montão.
Abriu uma estrada larga em sua trajetória.
Parabéns efusivos.
Gougon – escultor, mosaicista, jornalista.
Vitória, que vibração, que energia, que beleza de trabalho.
Estou impressionada ! Vou divulgar muito pois este video faz bem a alma…
Arrasou,
Jeanne Maz – artista plástica
The video attempts to materialize the amazing magnificence of this great artist !
Her last work named Constructing the Deconstruction is by far one of the best ever concerning contemporary art. It is revolutionary !
It defies the common by the usage of innovative techniques and materials.
Congratulations !!!
Thiago Karashima – musicien
In 2008, paintings from the series Constructing the Deconstruction were awarded the Gold Medal at the Second International Exhibition of Visual Arts ICSA / Unesco, in Sao Paulo-SP. The exhibition opening was attended by Brazilian authorities and British curator and chair of the Lauderdale House Arts Centre, Peter Galleger, who came specially from England to select Brazilian artists to attend the Second International Exhibition of Brazilian Art in London, in May 2009.
The series Constructing the Deconstruction proposes a reflection on how the contemporary society has been acting in their environment, and the consequences to our planet. The goal is to draw attention to the need for a sustainable way of life, which depends on us, now. Therefore, there is the need to recycle ideas and not just the materials.
The work is inspired by the urban chaos, the manipulation of images, the mass production and the pursuit of the human being by high consumption.
“… Ideas flowing, and tinted images created … the grotesque and delicate … the light and dark … the beautiful and the ugly … the force of nature and vulnerability of man … the construction and deconstruction …”
VitóriaBiagiolli/2008
“I wander around the world seeking colors and shapes, that can take me a long way from here… Images that were invented and dyed … Images… Ah ! They consume me, spread over me, disquiet me and keep me awake… colors, volumes, shapes, substance… past, present, future…
I am myself made of chaos, urban chaos and chaos of the paintings o’mine. I am reality; counterfeit; I am super real. I am neither past nor future, but IMAGE !”
VitóriaBiagiolli/2008
In 2006, the paiting City of Dreams VII won Honorable Mention at the XVI International Exibition of Plastic Arts of the Proyecto Cultural Sur – PCSur in Bento Gonçalves – Rio Grande do Sul, Brazil.
“I Work in the research of the expression of feelings, images, dreams, endless possibilities, colours and forms of urban life.
The contemporary world is a puzzle. It escapes us. We do not know what is really real and what is simulacrum of reality. We can not distinguish real from imaginary. That’s what my paintings try to say. The intent is to provide a variety of readings. The dreams, the endless possibilities of being and seeing. The imaginary and the real. The puzzle of the cities in which we live. The puzzle of our own minds and lives. The Fragmented Man.” VitóriaBiagiolli/2006.
The strength and authenticity of the paintings by VitóriaBiagiolli – where material is transformed at the hands of skilled and creative artist – show a work characterized by the contradiction between the beauty of cities and the urban chaos.
The focus of her work is the relationship between art, contemporary cities and the environment, consistent with the urban problems around us.
Her canvases filled with bright colors blended geometric figures, sketched, cut, recorded in space, becoming images of the city.
The works present a conscious and coherent development of the creative process that draws the attention of the contemporary artistic world.
For anyone following the growth and trajectory of this young artist is easy to identify the suggestive fragments of subjectivity of a person demanding and committed to the maturity, the quest for improvement and magical beauty of the works that aim to build its own space in contemporary art.
Tata B/2005
Marchand
In 2004, the series Beauty and Chaos has been selected by the committee staff of the Brasilia Museum of Art – MAB for exhibition. Were present at the opening of the exhibition the director of historical and Artistic Heritage of Brasilia Jarbas Silva Marques, the Museum Director Marta Benévolo, the director of the National Press Fernando Tolentino, the art historian Vera Pugliesi, the poet Nicolas Behr, the plastic artists Gougon and Brigida, Darlan Rosa, Jeanne Maz, Flávia Mauricio, Nancy Nishino, architects, interior designers and many friends and art collectors.
Urban Expressions series was first exhibited in 2004, at Visual Art Gallery, in Brasilia, Brazil. Opening night was attended by the artists Gougon and Brigida, Darlan Rosa, Flávia Mauricio, Jeanne Maz, the photographer Grace Seligman, Bizeh Jaime, Marilene Lobo and collectors and patrons of the Visual Art Gallery.
The series Cities: My Joy of Painting was selected by the French Ambassador Alain Rouquié in Brazil, in 2002, for exhibition at the Cultural Centre le Corbusier, at the French Embassy in Brasilia, Brazil. It was also the first solo exhibition of Vitoria Biagiolli and a milestone in her artistic life.
French authorities were present at the opening, such as Senator Michel Guerry, Ambassador Alain Rouquie, his wife Stephanie Rouquié, diplomats Decazote Henry, Claude Bazet, Jean Paul Roumegas, Philippe Franc, Marie Laure Thiriet. The event was attended also by the Senator of the Federal District Lindemberg Cury, by the artists Laurenço de Bem, Herminia Metzler and over a hundred special guests who appreciate the arts, and collectors. The organization was impeccable and was in charge of Marie Laure Thiriet.
At Vitoria Biagiolli’ s first exhibition in Sao Paulo, the opening night was attended by the presence of prominent names in the arts, such as the artist and art critic Cleide Marrese, the actor Guilherme Berenguer, the choreographer and owner of the dance school BalletArte Nancy Guedes, the conductor Murilo Alvarenga, the poet and musician Pedro McCardell, the actresses Tina Mello and Lena McCardell, the hairdesigner Paolo Biagiolli, the attorney Carolina McCardell and other special guests and collectors.
“Vertical and horizontal lines, paint drops, colors…. an energy explosion, the artist emotion, the contemporary individual in urban chaos: TIME … ! IMAGE … !”
VitóriaBiagiolli/2003
“These paintings are intended to provoke and to question the concept of beauty and the myth of beauty in our society, as well as the excessive exposure to the media which we are submitted in everyday life. There is also the intention to provoke a discussion about the representation of beauty in the twenty-first century”.
VitóriaBiagiolli/2002
